chapter fifteen
I go the service elevator that leads me to the lighting support area just above the opera stage. I set up my sniper gun there and I take out the laptop I hid in the false bottom in my bag and start a trace program to find my target
. There isn't much time to think right now. I disrupt all the security cameras in the opera and place an old recording of the hall. This technique is effective until somebody puts the prices of the puzzle together and figures out it is a trap. I set up my Barrett 991 on the floor and I look on my scope to locate the target. He is here I'm sure of it. But what's he doing? I find something peculiar.
There's a guy in the lighting support not registered on any list.
Oh damn. This whole thing was a setup. He takes out a gun and aims it at the chancellor. I take my shot. He's dead. The next thing I hear is people shouting and panicking, the chancellor and the mayor none of them are here they must have been evacuated to a secure location.
I pack my gun before I'm apprehended by the police. I get to the exit. I see a dozen black vehicles go past me probably having the chancellor and mayor in tow.
Something's not right. This can't be it. This can't go down easily.
When I recover from the blast and my ears ringing, I see burning vehicles, people screaming and police sirens are all I see around myself.
It was a set up.
The person at the opera hall I just killed was just a diversion.
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