A big hand of applause to those who responded to my plea for help!

I love all the  'fight-scene with mace in one sentence ' written by these talented writers/readers! ! I will definitely be editing  them into my forthcoming one-shot/s - with due credit of course!!

Here they are in random order [and I will update with contributions as they come in] :

❤️ The 'sound' of this contribution by @paarthaw is truly awe-inspiring - really striking references to Indra, Vamana, Shiva - all of which can convey significance in relation to Mahabharat!

🙌🏿''Sparks flew like Indra's Vajra as the two young titans clashed fiercely with their maces and the sounds rivaled that of Shiva's dumroo and earth quaked similar to when Vamana took his first step.''

❤️I love how striking choreography of the sentence, the words used:  the clash, the vibration in an enclosed space, the hooded eyes, the fierce cries and the 'harsh melody' and the physicality!@-elvenpoetess

🙌🏿 ''The sounds of the maces clashing against one another vibrated off the walls of the training room, as the two occupants looked at each other through hooded eyes and danced to a harsh melody of their fierce cries and sought to touch the other's limbs in any way possible.''@-elvenpoetess

❤️Oh yeah! I love the 'smirking' and the 'gaze' of those in the training arena and in particular the reference to the 'art of mace-fighting' which is often mentioned in Mahabharata, also how precious and personal were their 'dear' maces, both are 'valiant' too! @Krishna_premika

  🙌🏿 ''They both smirked at each other before picking up their dear maces and starting to fight,the entire training arena fixing their gaze on the two valiant warriors as they fought with all the dedication and strength they have always shown towards the art of mace-fighting.'' @Krishna_premika

❤️ I totally love  the 'emotions swirling in their eyes.' ..and how they respect the 'art of mace fighting' in avoiding banned areas ...the 'weapons tangled' gives an idea of the complex manoeuvring required especially in 'swinging' their maces, the tactics needed! Also putting a hole in the opponent  gives the image of a spiked mace. Nice details @Hannahstorm311!

🙌🏿 ''As both of them stood across each other with different emotions swirling in their eyes, practicing the art of mace fighting while swinging maces on each other careful to not touch part below hip, fighting with their weapons tangled and trying to fight head on with swinging their maces at each other in horizontal straight line so as to put a hole in each other but, them both being tactful enough to not let the other one get power over the other.'' @Hannahstorm311

❤️Fantsatic! I can feel that intensity conveyed through a 'formidable look' , the 'ambush' element and the trio of 'force, skill and energy'! @Readermadhavani

🙌🏿 ''He gave him a formidable look as he attacked him with his mace, being aware of this; ambushed him in return. The fight started between both of them, both striking each other, attempting to win. The maces tangled each other trying to win over as their fighter applied the force, skill and energy.''@Readermadhavani

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Wikipedia:

||The gada (Sanskrit: गदा gadā, Kannada: ಗದೆ, Telugu: గద, : கதை, : gedak, : batuta) is a mallet or blunt mace from the . Made either of wood or metal, it consists essentially of a spherical head mounted on a shaft, with a spike on the top. Outside India, the gada was also adopted in South-East Asia, where it is still used in silat, a martial art .

The martial-art of wielding the gada is known as gada-yuddha. It can either be wielded singly or in pairs, and can be handled in twenty different ways. Various gada-yuddha techniques are mentioned in the Agni-Purana and the Mahabharata such as aahat (आहत), prabrita (प्रभृत), kamalasan (कमलासन), oordhvagatra(ऊर्ध्वगत्र), namita (नमित), vaamadakshina (वामदक्षिण), aavritta (आवृत्त), paraavritta (परावृत्त), padoddhrita (पदोद्धृत), avaplata (अवप्लत), hansmaarga (हंसमार्ग) and vibhaag (विभाग).

The gada is one of the traditional pieces of training equipment in Hindu physical culture, and is common in the of north India. Maces of various weights and heights are used depending on the strength and skill level of the practitioner. It is believed that Lord Hanuman's gada was the largest amongst all the gadas in the world. For training purposes, one or two wooden gada (mudgar) are swung behind the back in several different ways and is particularly useful for building grip strength and shoulder endurance.  Winners in a contest are often awarded with a gada.||