got the idea for a trailer at the speech and debate meet I was at. and what better song to represent the arms of heaven and hell, (no, the characters do not directly work for any divine being.), who hunt the rapist, murderers, and and other scum of the earth than "gods gonna cut you down" by the one and only,  Johnny Cash. oh, and I think i'm going to post songs in the coming chapters, and you geuss which one of the four characters it pertains to. and start song...now.

the scene starts with a close up of the church tower, and in the middle of the second ring, the camera starts flying towards the sheriff's office. leaning on the door, the camera looked under the hat, as the sheriff looked up.

picking up the double barrel lying on the chair, he stepped off the porch  and into the street. then the view is condensed into the left half of the screen, as something to starts to play on the right.

it starts with a view of him in the dark, firing his pistol at something off-screen. it cuts again to a shot of him hiding behind a boulder, with bullets hitting the rock, as he continues walking down the street on the left side.   the last clip is of him riding towards the screen on his horse, and stops on top of the hill, leaning forward and smiling towards the camera as he tips his hat. then, in the right hand corner, n name in white text appeared:

Keller bushman

he stops in front of the saloon, where a poker game is going, and nods to one of the gamblers. the second nods back and throws his cards on the table, and stands up to follow the sheriff. the same thing happens to him, with a scene playing on the left.

the scene in question is of the inside of the saloon, him being surrounded and pulled up by other patrons at the table. it then switches to him hiding firing his pistol at a bar, then to him shakily riding in horse, before stopping in front of the screen, putting on a nervous smile. then, words appeared:

Terran Matthews 

walking past the general store, a gunslinger is seen talking to a girl. the sheriff looks at him, and nods. returning the nod, the gunslinger walks off the porch, and walks over to them. the screen again splits, first showing him being put into a cell. the scene switches to him riding his horse, firing away at something with his pistols. it then cuts  to him riding his horse, stopping to give a sultry smile, while the words appear again.

Charles Robison 

walking  by the livery stables, the frontiersmen is seen in the corral with his horse, when the sheriff nods. returning the nod, the tracker ducked under his horses neck, then vaulted over the gate, grabbing his rifle. 

the same happens to him, with the first scene being him sworn in as deputy. the second is of him riding his horse to its limits, and jumping on to a train barely holding on. lastly he rides his horse on top of the hill, when it rears up. coming down, he gives the camera a triumphant smile when the words are seen:

Hayden Taggart 

arriving at the edge of the town, the men fan out. at the end of the line, the marksmen levers his rifle with one hand, then lays it on his shoulders, across the back of his neck. it moves to the cardsharp, checking his cylinder, before pushing it back in. next is the lawman, who flips the shotguns barrels up, locking the breech. then it changes to the gunfighter, who pulls out his pistols, cocking the hammers.

the camera then pans up, taking in the men, their shadows growing long, as they await the unseen threat...