→ eighteen ←
Regular—Evelyn
Underline—Derek (AKA Evelyn's dad)
Italics—Robin (AKA Derek's girlfriend)
Bold (just for this chapter b/c i ran out of fonts)—Waiter (AKA Jerk)
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dear mom,
do you remember?
you used to have this adage when cooking
every time you made breakfast, you would tell me
as you swatted my butterfingers away
that we should always try to be the second pancake
as if we are not bound to our slip-ups as the first
because maybe our sides have bumpy ridges like mountaintops
but, they let people climb rather than fall down our steeping hills
maybe our thin edges have freckles
but, our holes let us soak the world up like a sponge
maybe entire battlegrounds are burnt and stuck to the pan
but, we can flipped to the other side
and be started over again
i think this theory transcends to all of life
like that we should also aspire to be open embraces
even though we are conditioned to feel as sideways hugs
like that there is something to learn from spiders trapped in their own webs
something monumental in their ascend up strands of threads like vertical tightropes
despite the childhood rhyme of their ancestor that haunts them
i really tried to be dress tonight as a second pancake
but, it knew it was only playing pretend
do-overs cannot exist
because they are built on bricks without mortar
a foundation of memories that would rather be forgotten
but are needed in order to move past
a game of jenga as each one of us carefully drawls our piece of conversation
skirting around the core issue that keeps our leaning tower in place
shaving down its limbs until there is nothing except its skeleton
all of us trying to win without taking any risks
each consumed by our own strategies
i was polite and nice and buried in the safety of my own skin
robin was unapologetic and loud and nervous
dad was distant and quiet and lost
so, so lost
"sir, what would you like to order?"
the waiter reminded me of the maple tree seeds we would pluck as kids
turning his head back and forth like the way they would unwind themselves
into the frenzied twirls of little helicopters
"sir?"
she nudged him with her elbow gently
it sent a shiver up his spine as he sat unblinking
like a shell of his former self
"honey, what would you like to eat?"
he turned slowly towards her, his face—
haunting, a peace that only comes with a tinge of insanity
"i already ordered."
the waiter sighs as he finally makes eye contact
i picture peeling back the skin of his maple tree seed
clipping its wings apart and unearthing the pits
the same way kids burn ants under glass
"Oh, did another waiter come over? I can—"
dad's face contorts suddenly into anger, as if it has just occurred to him
in that moment, something has occurred to me too
i carry its weight with every shaky breath
like the anvils and falling pianos in the sunday cartoons
"one strawberry and banana milkshake, how many times do I have to repeat myself?"
the pause is eerie, as everyone stares at one another
as if we are all in the same joke,
and the punchline is him
"sir, this is a steakhouse."
the waiter is speaking slowly, spitting as he accentuates every syllable
neck sticking out, one eyebrow raising
as if he thinks dad is insane
there is a quiet fury stewing in me that is blazing like a wildfire
burning the maple trees, scarring the land the seeds have rooted themselves
but, these embers cannot spread or light the night sky
they fizzle into charcoal that chalks the dirt
because part of what is burning
is the guilt of my unspoken belief that he is partially right
"no cherries, no whipped cream, no toppings at all. Angie, you know the way I like it, don't you? tell them, will you?"
he looks straight at me
except not really
because it is not at me, but through me
because he is seeing what he wants to
because those eyes are looking at my insides
not appearances or facades that can be smeared off
but, what my soul reflects
what cannot be erased, only smudged
the reason i fog the mirror with steam every day--
because when she left,
mom dropped bread crumbs down her path
pieces of herself left for me to follow and pick up
so that she would always be there in my reflection
someone who cheated and lied and manipulated
but, also
someone who laughed and loved and shined
and maybe it takes someone a little less sane to truly see it
"we do have ice cream selections for dessert, but—"
the waiter's eyes are twinkling,
except they do not have any brightness in them
the corners of his mouth are curved,
except there is no smile
he is humoring him
as if dad's illness is some sort of game
"the service here is absolutely terrible, i have waiting over fifteen minutes. i have a teary seven-year old daughter waiting in the car out there, and this milkshake is the only damn thing I can do right for her."
he is recreating a memory
i cannot remember which one
but, i can tell because we traveled on many trips to the ice cream parlor when i was younger
a milkshake for every time i thought of her betrayals
but, could not tell him
the guilt pushing tears to brim
before i would learn how to control them
"evelyn."
i am barely audible
yet the world churns as everyone looks at me
cheeks red and burning
not because i am embarrassed of the attention
but,
because i am trying to stand up for myself
with someone that can barely sit on their own
because i am trying to force him to see me
even though his eyelids are sewn shut
because i am trying to rationale
with a person beyond reason
"what was that, angie?"
i swallow
because the trademark at the end stings
i feel small,
because i am always copyrighted by my creator
i am mortified i will have to repeat myself
of something that should be obvious,
yet is allusive to him—
i would rather be a maple tree seed
like my mom or the waiter
who flit from one place to another
than a person
who must convince her own father that she is his daughter
because it hurts not to be believed in
as if i am a fairytale or a myth or a holiday symbol
from someone who i have laid my soul out to bare naked
"my name is evelyn."
the worst part of it all
is that there is no horror in the faces of robin or the waiter's or even dad
as if they all assumed or knew already
only sadness
like i am a child trying to expose something
that i truly know nothing about
"i'm sorry, can you come back later? he hasn't decided yet."
all of a sudden, robin has regained her composure
slinging her arm around dad's shoulder
like a safety blanket for a baby
the waiter leaves without a word
and i can almost see the dust he scoffs at his heel
annoyed that we have wasted his time
"evelyn, i'm going to take him to the bathroom to see if i can calm him down. can you watch our things while we're there?"
i nod silently,
thankful in words i cannot express
it is in this moment i know that we will all be okay together
despite the uncomfortable and the awkward and the unspoken
because i have found something valuable in her i admire
a strength in critical moments i do not possess
an ability to pull us all back together
"thanks, you're a doll."
angie makes dad stand up, almost pushing him
i let her, because it is needed
even though i want to fondle him
fragile and broken
"i would like to speak with your manager, you have no right to manhandle your customers! i worked in customer service myself, but i never treated respectable people like this! manager, please! i am never coming back here again!"
he is mixing her up with the waiter
and i try not to see her wince
because my heart pangs in sympathy
i am lucky enough to only shift between myself and my mother in his eyes
but, she—
not in his long-term memory yet,
her identity will be interchangeable with any stranger in his episodes for years to come
because she did not know him before
after all of this,
we had to take him home
clamping his mouth as we shoved him in the car
silently vowing never to come back
another memory among the list of unmentionable incidents
my do-over dinner was catalyzed to have more potential for disaster
but, i think
it went much, much better
maybe we did not talk about anything important in words
but,
through our actions
we reached an understanding that will bridge us there
and i know we will get through it
i still don't like robin—
i will never call her my mother—
but,
that's okay
because i respect her as a person
the process similar in more ways than one
of how i am learning to get to know you all over again
yours truly,
evelyn
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A/N:
Hi,
I know this chapter was really long, but maybe it'll make up for lost time between updates. I would love if you would let me know if it's too much, if it makes following the dialogue too confusing since that was a concern. But, I felt it was needed because conveying individual moments is difficult in poetry, at least for Evelyn and I, so I had to try to be as descriptive with body language and her feelings as I could.
Because of these difficulties, the chapter wasn't as metaphorical or full of figurative language like the others. But, again, it was needed in order to move the plot forward. I'm also sorry about that too, but I still like the part in itself despite that. I don't think it always has to be flowery and full of imagery. It needs a sense of realism in it too that maybe will be fixed in the rewrite whenever that happens (it's too far away to even imagine right now.)
Even though I haven't been updating, I've been writing pretty consistently which makes me really happy! That was my whole purpose for starting this, to find a project that could be my gateway to being persistent with my writing.
I'm been thinking lately that when I'm much older, I might use this project as a possible story for actual publication. It'll need loads of revision, but I've really grown to love it. Plus, it would be nice to have something that is already halfway there, you know?
Anyway, let me know your thoughts on any of this plus the part itself. I really love to hear your thoughts and opinions, it lets me know that someone still wants to read Evelyn's story.
Don't forget to vote, comment, and follow!
Thanks for reading! I really appreciate it.
Love,
Kiana
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